So, KBGA, our lovely college radio station, lets me add heavy music to the playlist rotation because they're absolutely insane. Here's what I've put on there over the last month. Want your band to get on here? Hit me up. Be warned, you might suck.
Enabler,* Eden Sank to Grief*:
Milwaukee's Enabler is a crust-grind-powerviolence-death-punk-metal powerhouse of F*$#$*%G awesome. Heavy, fast, dark, urgent,desperate. Feels like trying to climb out of a hole filled with hungry rats with only a chainsaw. Not for the faint of heart. Fans of Discharge, Macgrudergrind and KEN Mode, this is for you. These dudes played at the VFW a while back, during Total Combined Weight's residency. It blew my fucking face off.
Enabler,* Eden Sank to Grief*:
Milwaukee's Enabler is a crust-grind-powerviolence-death-punk-metal powerhouse of F*$#$*%G awesome. Heavy, fast, dark, urgent,desperate. Feels like trying to climb out of a hole filled with hungry rats with only a chainsaw. Not for the faint of heart. Fans of Discharge, Macgrudergrind and KEN Mode, this is for you. These dudes played at the VFW a while back, during Total Combined Weight's residency. It blew my fucking face off.
The Melvins, *The Bulls and the Bees EP:*
What can be said? It's Melvins and it's awesome. They took the best part of their sound from about five years ago and made some more epically awesome tunes accompanied by additional oddities that we love them for. Precursor the Freak Puke, which has just been released. This video rules, and they'll be at the Top Hat on 9/9.
Black Pyramid, *II*: Second release from MA's stoner/doom group, these nine tracks clock in just over an hour. What a sublime hour. At times a little death influenced, other times a little black influenced, the classic Sabbath style of stoner metal meets the modern standards for doom. This album speeds up a bit at times in comparison to their self titled, but "Dreams for the Dead" (#4) and "Into the Dawn" (#9) are long, wandering epics (used in the literary sense) that won't disappoint the little music nerd that lives in all of us. My favorite release this year so far.
Buildings, *Melt/Cry/Sleep*: What? This isn't a 90's band? No, they're not, and they're coming to TFXI. It's not a new sound, but it's a damn well good and trusted one. I could have sworn this was something recorded by the band that didn't exist between Scratch Acid and The Jesus Lizard. Like trying to run away from your stoned haze at 3am and being too confused to find your running shoes and having a brain aneurysm. For fans of Dazzling Killmen, The Jesus Lizard, Scratch Acid, Rapeman and Big'n
*Baroness, *Yellow: *Baroness will build a new fan base by making me say "RIYL: Radiohead, Thrice, Explosions in the Sky". It will alienate fans who wanted something heavier, like me. Heavily textured (almost overly-textured), this rambling, soft dual album has the Relapse heavy hitters trading in their heavy shoes for radio -friendly vocal harmonies throughout. Good, but doesn't live up to the hype. There are some gems
in here if you have the patience to wade through it all, I suppose. here's
the heaviest song they could come up with.
*Mares of Thrace, *The Pilgramage: *Hard to believe the instrumentation is produced by a duo! These Canadian ladies shred hard, angular riffs, occasional odd timing, and brutality make it an odd blend of noise rock and metal but strongly the latter. The lady rockin' the strings for this band also
plays bass part time in KEN Mode. Awesome or AWESOME??
Melvins Lite, *Freak Puke: *"Melvins Lite" seems to be a tongue in cheek moniker. The instrumentation is lighter, seeing Trevor Dunn (Tomahawk, Mr Bungle) step in on stand up bass. This seems to accent an already dark, haunting sound. The average DJ will love track 8, but Melvins fans can hear what they hoped for with Melvins fans can hear what they hoped for with 5 and 6. They cover Paul McCartney (WTF?) on #9. A lovely addition to the Melvins catalog.